Robert Rauschenberg was one of the numerous American collage artists who became prominent in the fifties crossover right from Abstract Expressionism to Pop Art. Rauschenberg is renowned for his “Combines”, wherein non-traditional items and objects were employed in innovative combinations. Rauschenberg was both a painter and a sculptor, however he also worked with taking pictures, printmaking, papermaking, and performance. Rauschenberg’s career tells more about the New York art community. His outlook when it comes to the means of art extended to media, people, everything. Rauschenberg launched art to: engineers, socialites, All-About-Eve personnel, politicians, trade unionists, dancers, instant collectors, Utopians, scientists, foundation swingers, art groupies, and all rubbed shoulders with all the incongruous elements in Rauschenberg’s artwork. This rich mixture did actually confirm the desire populists always possess: that the limitations of fine art are breaking down.